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Martine Desjardins

Le temps des sucres

(Sugaring Season)

152 pages | Avril 2025 | Cette publication est certifiée accessible par Benetech

Cultured, sensitive and resolutely urban, Guillaume Lacerte is dumbfounded to learn that the death of his estranged father has made him the beneficiary of a family sugar-bush deep in the Quebec countryside. For his paternal family, the funeral is an opportunity to introduce this young man to his ancestral home—where his progenitor mysteriously lost his life—as well as to a plethora of bizarre rituals and strange traditions centred around the veneration of maple syrup and a hyper-masculine way of life. Forest initiations, orgies of meat and unchecked brawls soon transform the refined bookseller into a raw, virile male. That is, until the secret of the Lacertes’ fabulous maple syrup comes to light, revealing to Guillaume just how far these men will go to dominate the nature that surrounds them.

Le temps des sucres is a folk-horror fable as troubling as it is hilarious, skewering both the cult of terroir and contemporary calls for a return to extreme masculinity.

Coup de coeur Renaud-Bray
Club des Irrésistibles

Reviews

Le Devoir

★★★★ 1/2
« Martine Desjardins is having a blast, creating a world as pathetic as it is moving, in which all the codes of folk horror—isolation, superstitions, sacrifices, paganism—skillfully waltz against a backdrop of rustic humor, laden with vulgarity and animality. »

Radio-Canada

« From the first page, you can't put this book down, wanting to know where it's going to take you. As you read, you know that you probably won’t end up where you think you would. But that's what is great about Martine Desjardins's writing. »

Autrice

Martine Desjardins

Martine Desjardins was born in Mont-Royal, Québec, where she still lives with her fox-terrier Winnie. After studying languages, Russian and Italian, as well as comparative literature, she began freelancing for several magazines. Lavishly written, her books are often filled with twisted humor and a touch of quirkiness. She is a Governor General Award finalist (Maleficium) and two time Jacques Brossard Prize winner (Maleficium, The Green Chamber).

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